Hello everyone,

Research is a constant, ongoing process while writing historical fiction. Sometimes a fascinating tidbit surfaces that might be of particular interest beyond its use in a novel. As I continue to work in the historical fiction field, I will post those occasional points of interest here. Occasionally I muse on the writing process as well along with news to keep readers informed of what's going on with my books and other writings.

Please feel free to post comments--I'd love to hear from you.


The photo above is of Snowdonia in North Wales, which plays a large part in the setting of the Macsen's Treasure Series.

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Wednesday, February 03, 2010

Thunder Fire!


While moving along with the re-edit (which is turning out to be more like an overhaul) of my first book, Into the Path of Gods, I decided to reassess one of the secrets my main character Marcus discovered. Ok, actually, he stole it from the druids.

We know very little about the druids. Mostly, it’s some skewed, propagandized information left from the Romans who destroyed the druid enclaves in Britain as part of their conquest of the island. Because they banned all forms of writing, the druids left behind no documentation of their own. They were, however, considered well educated for the time and along with the histories, mythologies and genealogies of their people, they may have also understood some astronomy and other scientific disciplines. When the Romans destroyed their groves, schools and culture, this vast knowledge was lost.

Or was it? It is believed that a few druids escaped the annihilation and continued to practice in secret. One reason for banning the written word may (and that’s a big ‘may’) have been to protect their knowledge. Were some of their secrets dangerous? Something they didn’t want people to use on each other?

In the original version of the book master spy Marcus ap Iorwerth stole one of those secrets. He reproduced a recipe of charcoal, saltpetre and sulphur, an explosive powder he enclosed inside fragile clay balls and lobbed over fortifications to make noisy distractions and wreak general havoc. Anyone in the know would recognize this recipe as what we call gunpowder. Having no guns in the fifth century, Marcus called his weapon a powder ball. Historians believe gunpowder, invented by the Chinese, was not known outside of China until the thirteenth century, although the Chinese possibly knew it as early as the tenth century. Could the druids have actually known or figured out how to make gunpowder? It’s possible, but we’ll never know without a time machine.

So if the druids (and Marcus) didn’t have this explosive powder, to what else could they have had access? In doing a little research, I learned that accounts of incendiary weapons have been documented as far back as the ninth century BC and have encompassed a wide variety of formulas, delivery systems and names in the centuries ever since. The most common name applied to the entire range is ‘Greek fire,’ invented by the Byzantines. This term actually only originated since the Crusades and in truth should apply just to the particular mixture the Byzantines employed. Other names, some from earlier times, some from later on, include sea-fire, Roman-fire, war-fire, liquid-fire, prepared-fire, automatic-fire, and processed-fire.

Because druids belonged to Celtic culture that goes back to ca. 500 BC, and because it was widespread across much of Europe and even into parts of western Asia in those days, it is possible the druids could have known of this form of weaponry and kept the formula secret. Indeed, throughout the centuries these formulas were heavily guarded military secrets.

Now, I’m not a chemist or scientist, so I’m hoping this makes sense. Of the substances used in these formulas, a petroleum-like fluid, ala tar, pitch, naphtha, or tallow would have created the base. Other ingredients might have included sulphur, saltpetre (aka stone salt), charcoal, and quicklime. Marcus would have had access to tar (distilled wood, peat moss, heath, among other sources), as well as stone salt, charcoal and quicklime.

Here’s one of those instances that makes me love research. Quicklime, when in contact with water, immediately increases in temperature to 150° C. So if a pile of wood is soaked with tar in combination with some of these other substances, and quicklime is added to it, it’s possible to start the fire with water of all things!

[Note: a demonstration of this was done on television, probably on The History Channel or a similar channel. I’m trying to locate a DVD of this, but haven’t figured out which channel/program/episode yet.]

This liquefied fire was delivered by various means, often out of pressurized siphons—primitive flame throwers. Another innovation in delivery of this fire is shown in a picture from the National Historical Museum in Athens: clay grenades! These were used in the 10th – 12th centuries, and were filled with Greek fire. In the picture they look like they are made of glazed ceramic. Other pictures show them made of unglazed terracotta. This seems to partially validate Marcus’s use of clay spheres to deliver his destructive message. Clever fellow that he is, he could have improvised this delivery system as good as other innovators did. Just because it’s not recorded somewhere, especially in a time when things were rarely or not recorded at all, doesn’t mean it couldn’t have existed then.

So, we have Marcus stealing the recipe to produce liquefied fire, making up or stealing the idea for some device to deliver the goods, but what would he call it? As he’s discovering this for the first time, he might overhear a term from the druids or dub it something logical as he sees it. Of the names listed above, perhaps war fire or liquid fire might make sense. Because he intensely dislikes the sea, he’d never call it “sea-fire.” He might be tempted to call it a “river-fire” instead because it looks like a flaming stream or river. But when he first sees it, a loud boom is set off. I think he would call it “thunder-fire.” Maybe by the time the editing is done I’ll have decided on another name. Or Marcus, in his clever, convincing way, will have decided it for me.


Photo courtesty of National Historical Museum, Athen Greece, as noted in the Greek Fire entry on Wikipedia.com

Sunday, December 13, 2009

Interview with the Steamboat Today


Local author finds mystery in history
By Margaret Hair Saturday, December 12, 2009


Steamboat Springs — Kathi Guler jumped into a 27-year writing project after what she calls “a moment of great egotism.”


“Originally, it was going to be one book, just to see if I could do it,” the Steamboat Springs author, who writes under the name Kathleen Cunningham Guler, said about her four-part Macsen’s Treasure Series.


“I had read this other historical novel that I didn’t find very good. I thought, ‘Gosh, I could do better than that,’” she said.


That was in February 1982. Sixteen years, a library of books worth of reading and a research trip to the United Kingdom later, Guler had “Into the Path of the Gods,” the first book in her series.


With almost 10 years behind her since that first release, Guler is promoting the fourth and final Macsen’s Treasure novel, a historical spy thriller called “A Land Beyond Ravens.” She will sign copies of the book and answer questions at 7 p.m. Wednesday at Epilogue Book Co.


“A Land Beyond Ravens” closes the evolution of Guler’s main character, a fifth century British spy named Marcus ap Iorwerth. Marcus and his wife, Claerwen, work through the series to unite factions to defend against a Saxon invasion.


“I’ve always been interested in history, and when I read Mary Stewart’s ‘Merlin Trilogy,’ that got my interest going,” Guler said about the series. She flipped to the further reading section of Stewart’s books and started plowing through the listed titles. Guler has built her own library of about 1,000 books on related topics, she said.


“The history behind this time is very interesting. I probably would have been an archaeologist if I hadn’t done everything else in my life,” she said.


Guler’s series takes place in the last third of the fifth century, around the time King Arthur is supposed to have lived. The mystery and lack of documentation from that time inspired Guler — who also credits some of her interest to her Scottish and Welsh ancestry — to frame her story as a spy novel with Marcus as the leading role, she said.


“He’s kind of one of these James Bond meets MacGyver meets Braveheart kind of characters,” she said. Guler hopes fans come away from the series with more than a good read.


“One thing I like for people to take away from the series is how resilient people are. Even in times of war and great stress and disaster, we’re resilient, and we try to find a way out of it. I think that’s the appeal people find in the Arthurian legend,” she said.


The Steamboat Springs Writers Group offered workshop tips for the second, third and fourth Macsen’s Treasure books. Guler moved to Steam­boat Springs in 1990 and has been a member of the writers group since 1998. At weekly meetings, Guler’s peers pointed out any gaps in plot or character development or dialogue in a way that was honest but not critical, she said.


There are ideas for a new project, possibly a series of interconnected short stories set in different historical periods, she said.


Books from the Macsen’s Treasure Series are available locally at Epilogue and online at www.amazon.com and other online booksellers, as well as at Guler’s publisher’s Web site, www.bardsongpress.com.
Photo credit: John F. Russell from Steamboat Today

Sunday, November 01, 2009

On Writing Historical Fiction


Daydreaming is a good thing. Some will disagree, like one of my grade school teachers who asked the question: “what’s first person singular of the verb ‘to be’?” She followed with, “You look like you’re daydreaming,” and called my name. I answered flippantly, “I am,” meaning I was, in truth, daydreaming and had not heard the question. By coincidence, it was the right answer. Miffed that she hadn’t embarrassed me, she scowled and moved on to the next daydreamer.

Indeed, I don’t remember what I was daydreaming about then, but it very well could have been of knights in shining armor, the Three Musketeers, or that clever fellow Zorro of early California. To escape the present world and seek the adventure of another time and place always felt comfortable back then. The truth? Still does! Inexplicably, being transported to another time has a certain appeal. Is it ladies in long dresses? Big hunky men in kilts? Exotic languages no longer spoken? Great sword fights? Sea battles? Who knows?

The daydreaming eventually led to an insatiable interest in history after watching the BBC’s “The Six Wives of Henry VIII.” Visualizing the Tudors’ lives made me understand that history examines the dynamics of people’s actions and is not the dull, dry business it’s been made out to be by countless school systems. By the time I attended university, I found my favorite studies of art, music, literature and drama were all closely interconnected by their histories. So much to discover!

Throughout the decades that followed, the fascination remains strong. The desire to communicate that interest manifested in the form of historical fiction. This took a lot of learning, patience and persistence. Writing historical fiction goes far beyond simply telling a story set in another time. It’s many disciplines: the historian’s craft of performing thorough, solid research to recreate the world of another era; the art of the written word; and the intuition—the creative daydreaming—that takes the spark of an idea for a story and gives it the fire to unfold in all its power.

After writing four books, I still wonder why certain eras intrigue me, some quite strongly. Is it my Welsh and Scottish ancestry? Dark Age Britain’s Celtic culture draws my attention the most and began doing so long before I discovered my heritage. Is it something as ethereal and unprovable as reincarnation? Sometimes dreams and images come to me so fiercely while I’m writing that they seem more like memories than imagination. Or is it the challenge to puzzle together what happened long ago and find the story within that context?

I wonder what that grade school teacher would say if she knew where my daydreams have taken me. With apologies to Descartes: I write, therefore “I am”?

Monday, October 19, 2009

USA Book News: Best Books Awards 2009


Great news! A LAND BEYOND RAVENS is a finalist in The National Best Books 2009 Awards in the Fiction & Literature: Historical Fiction category! Woo-hoo!